Josh Owens spent four years as a video editor and field producer for Jones' Infowars media company. "It was all about making things look cinematic," he says. Owens' memoir is The Madness of Believing.

Set in a quaint Irish village, The Keeper follows The Searcher and The Hunter, and solidifies the crime series' status as a contemporary classic.

The Trump era has brought a resurgence of the "alpha male." New Yorker writer Charles Bethea reports on camps where men crawl through mud and sit in ice baths in an effort to reclaim masculinity.

Scott is doing what she wants: "Everything has led me to this place." Her new album is To Whom This May Concern. Ahmed is his own worst critic. His new show Bait explores that.

Yellowstone's creator is back with two new shows set in the American West. Marshals struggles, but The Madison offers a thoughtful portrait of a family in flux.

After the sudden death of her boyfriend, a young Berlin woman is taken in by a family she meets in the countryside. In showing the ache of love and loss, Miroirs No. 3 holds up a mirror to us all.

Meyers, who died March 7, helped shape Tex-Mex music with the '60s band Sir Douglas Quintet and then with the Texas Tornados. His signature sound was on the vox organ. Originally broadcast in 1990.

In addition to his kung fu and action films, Norris, who died March 19, starred in the TV show Walker, Texas Ranger. He spoke with Terry Gross in 1988 about learning karate while stationed in Korea.

Bloomberg journalist Katrina Manson discusses the Pentagon's secretive campaign to build America's AI warfare capabilities and the obsessive Marine colonel behind it. Her new book is Project Maven.

In 2000, filmmaker Alejandro Iñárritu made waves at Cannes with Amores Perros. He's now turned the film's extra footage into a remarkable art installation at the Los Angeles County Museum of Art.