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Playwright Danai Gurira says inspiration for her new play, Eclipsed, came from a photograph of a female fighting unit in Africa.

Film critic Kenneth Turan reviews Memory of a Killer, a Dutch noir thriller about a hit man who's developed Alzheimer's disease. The film is based on the much-praised crime novel series by Jef Geeraerts.

The Malaysian man recognized as having an intellectual disability has been on death row since 2010 for trying to smuggle less than 1.5 ounces of heroin into Singapore.

A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.

A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.

Lawyers for Donald Trump are due in court Monday in New York to argue that the former president should not be held in contempt over a subpoena for Trump Organization documents.

Robert Redford has benefited from Hollywood's big-budget blockbuster formula system. But the star actor and director says art plays a crucial role in filmmaking and must not be left out. In an interview with NPR's Bob Edwards, Redford also discusses America's celebrity society, the benefits of public funding for the arts and the California governorship recall election. Hear the extended interview.

Deanna Witkowski draws on a variety of influences — from Chopin to Cole Porter to a relatively unknown Brazilian rhythm called baião. It's no wonder the pianist finds her music going in different directions — sometimes within the same song — as in her "Wide Open Window." Hear Liane Hansen's performance chat with Witkowski in NPR's Studio 4A.

Years ago, the tombstones of Richard Hickock and Perry Smith -- the two killers portrayed in Truman Capote's In Cold Blood -- mysteriously disappeared. Now they have resurfaced at a museum that won't put them on display. Harriet Baskas reports on a Kansas museum's dilemma as part of the "Hidden Treasures" series.

In today's Unger Report, humorist Brian Unger concludes that the entertainment business, long derided for poisoning society, can no longer compete with reality's prescription-strength toxins. Is Washington, D.C. beating Hollywood at its own game?